It just occurred to me that I haven't necessarily made it clear that that isn't a royal 'we' in the blog titles. I mean, quite literally, that you and I have opened a discussion on a subject. And today's subject is writing:
Hi Deanna,
Congratulations on the new book! I can't wait to read it.
I had a couple of questions for you regarding your writer life. If any of these are too personal, I apologize in advance and please disregard!
You have mentioned that you wrote for 14 years before being published and also that you have an amazing agent. Were you working with your agent during that entire time? How did you and your agent come together - did you reach out to her with a manuscript? I am assuming during those 14 years you experienced rejection letters. How did you handle those and keep yourself motivated?
I also had some general writing questions. When writing a manuscript for your publisher, is there a certain number of words you aim for? Or do you aim for a certain number of pages?
Thank you!
Ashley
These are not at all too personal, Ashley, so no worries! I was working with my agent for part of the 14 years--that's part of why she's so amazing. She took me on and stuck with me for the better part of a decade and never saw a penny out of it. She didn't charge me for a phone call, a photocopy, a postage stamp.
Now, I joke about the fact that I had to browbeat her into taking me on, but really it was more a question of persuading her to do something she was already inclined to do. Initially I pitched to the owner of my agent's firm. My agent replied because the owner had just disbanded the agency--I think to follow a religious calling. Anyway, my agent was striking out on her own and sent me an incredibly kind and personal rejection letter. It was thoughtful and courteous, and it occurred to me that if she was that deliberate and considerate of someone she had no intention of working with, she would be wonderful to actually do business with!
So I queried her again when I had something else, and when I didn't hear from her, I phoned her up and she told me quite honestly she just wasn't sure. We had a forthright discussion on the subject, and by the end, we were in business. That was something like 1996 and we've been together ever since.
As to the rejection letters, I took most of them with a grain of salt because most of them were entirely useless. When you're rejected by a good editor who clearly read the book and offers you some thoughtful criticism, it can be very helpful. When the rejection letter is a form effort from someone quite junior who couldn't be bothered to make a clean photocopy, it deserves to be thrown straight out.
I learned a lot about rejection in those days and here are the two most important: first, sometimes it isn't you, it's them. Timing is hugely significant in this business, and you could be offering a book that is thoughtful, well-conceived, and well-executed, but they just don't have a place for you in the stable. Second, most of the time it is you. Publishers are most often looking for a manuscript that is already a BOOK, meaning it doesn't need much tweaking to get there. There are loads of reasons for this, but I think it has to do with time--they have none--and wanting to know for certain what they're getting. If you give them the core of a good book that needs buckets of work, how are they to know that you will take editorial direction well? Or that you will be able to pull off what they're asking? It's far safer from their perspective to snap up a book that is right at the cusp of being ready to put into production and usually that's what happens. My earlier efforts were far less polished and solid than Silent in the Grave. When I gave them a book worth publishing, I got published. (Brutal, but true!)
And keeping motivated was difficult. I had my weepy moments and my bouts of rage, and "bootstrap" pep talks with myself, and eventually I realized I was a writer whether I was published or not because I kept telling stories.
Finally, publishing generally works by word count since page count will vary tremendously depending on font size, margins, etc. Word count is the only way to get a true sense of the size of a book, and my publisher likes me to keep it in the vicinity of 100,000 words.
Thanks for stopping by, Ashley!