In which we talk Sherlock
Reader Elizabeth--who was gracious enough to come to my signing in March and looked adorable in an outfit I coveted--posted the following: One aspect I've always noticed regarding Nicholas Brisbane is that initially, in Silent in the Grave you painted him as having many parallels to Sherlock Holmes. Both are private detectives, both are pugilists, both play the violin, both explore a wide range of odd and curious activities, both are loners with a loyal servant and physician sidekick, both have a vague childhood that emerges as the series go on. Obviously as the Grey-Brisbane relationship develops some of this dissipates. Do what degree is it conscious? I know that Sherlock Holmes is one of the literary works central to the late Victorian and early Edwardian eras, do you think that you can write about any detective from that time without some comparison being made. Finally is it Brisbane's feeling that separate him from Holes, and likewise from greatness as a detective, because clearly Julia seems to impact his professional performance to a degree.
First, no, I don't think you can write about a male Victorian detective without SOME parallel being drawn between that character and Sherlock Holmes. Conan Doyle created THE definitive Victorian detective, and his longevity is astonishing. (Even now, a new film version is about to be released featuring the combined talents of Guy Ritchie, Robert Downey Jr., and Jude Law. I cannot WAIT.) Direct parallels between Brisbane and Holmes were largely unintentional. The facility with both fists and violin came from Brisbane's past, as well as his loner tendencies. As far as having a physician friend, that is simply expedient when you're writing murder mysteries!
Second, you have certainly hit upon the most striking difference between them--Brisbane feels, deeply, and is willing to sacrifice his professional sang-froid for the pleasure of having Julia around. You are actually the first person to ever point out the fact that for a first-rate professional investigator, Nicholas is not very focused when Julia is on the scene! And that's one of the things I love most about his character. I think it makes him more flawed, more human than Holmes. I knew from the beginning of SITG that he was going to challenge her, but I wanted that to be reciprocal. I wanted him to be thrown off of his game and even a little vulnerable where Julia was concerned because it was important to me that she never be an afterthought or appendage to him.
First, no, I don't think you can write about a male Victorian detective without SOME parallel being drawn between that character and Sherlock Holmes. Conan Doyle created THE definitive Victorian detective, and his longevity is astonishing. (Even now, a new film version is about to be released featuring the combined talents of Guy Ritchie, Robert Downey Jr., and Jude Law. I cannot WAIT.) Direct parallels between Brisbane and Holmes were largely unintentional. The facility with both fists and violin came from Brisbane's past, as well as his loner tendencies. As far as having a physician friend, that is simply expedient when you're writing murder mysteries!
Second, you have certainly hit upon the most striking difference between them--Brisbane feels, deeply, and is willing to sacrifice his professional sang-froid for the pleasure of having Julia around. You are actually the first person to ever point out the fact that for a first-rate professional investigator, Nicholas is not very focused when Julia is on the scene! And that's one of the things I love most about his character. I think it makes him more flawed, more human than Holmes. I knew from the beginning of SITG that he was going to challenge her, but I wanted that to be reciprocal. I wanted him to be thrown off of his game and even a little vulnerable where Julia was concerned because it was important to me that she never be an afterthought or appendage to him.
Labels: Nicholas Brisbane, readers


5 Comments:
"I wanted him to be thrown off of his game and even a little vulnerable where Julia was concerned because it was important to me that she never be an afterthought or appendage to him."
When I saw this sentence, I wanted to clap my hands with glee. Thank you!
I know what you mean, Quiet! I always thought Brisbane to be an arrogant type of man, but to read that sentence, it definitely made him a much better person in my eyes!
To Deanna: is it crazy to have Elves be a part of the Victorian era? Just a thought.
You have fleshed the personalities of both Julia and Brisbane beautifully. Neither is an afterthought and are very real and believable.
Could you recommend any books on the Victorian period of British history? And some books introducing one to the different periods in British history?
Saw previews of the new "Sherlock" movie today at the theater. It seems to have a little different spin, but quality actors and excellent shots of "Victorian" London give me high hopes.
"I wanted him to be thrown off of his game and even a little vulnerable where Julia was concerned because it was important to me that she never be an afterthought or appendage to him."
Thank you for giving us readers a little insight to part of Brisbane's feelings where Julia is concerned. I think you definitely capture his vulnerability in that Nicholas saw Julia's misfortune at the end of SITG as mostly his fault and more as having harmed her than having saved her life. I love that about their relationship!
Also, I'm also excited to see the new Sherlock Holmes movie. I do remember reading some S.H. stories when I was younger but it has been years!
Hopefully it will be a nice representation of Conan Doyle's original concept with a bit of a 'kick'.
-Marissa O.
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